Perspectives on Degas, ed. Kathryn Brown

'The Manly Water Arts: Aquatics, hygiene and virility at the fin-de-siècle', in Fae Brauer (ed.), Modern Art and Vitalism, Routledge, London and New York, 2021

'Dressing the part: Male bonding "on the motif" in nineteenth-century France', in Thijs Dekeukeleire, Henk de Smaele & Marjan Sterckx (eds.), Male Bonds in Nineteenth-Century Art, Leuven, University of Leuven Press, 2021

'Degas: Digging the Dirt', in Degas: Dance, Politics, Society, exhibition catalogue, Museo de Arte de Sao Paulo, Brazil, 2021

'Considérations techniques : le matériel des peintres de plein air au xixe siècle', in Plein Air : De Corot a Monet, Paris, Gallimard, 2020, 25-33

'The Modern Venus: Goddess or Whore', in Myrto Hatzaki, The Venus Paradox, exhibition catalogue, A G Leventis Gallery, Nicosia, 2017, pp.95-102

'The Female Spectator of Modern Art and the Spectacle of Medicalized Femininity’, in Kathryn Brown (ed.), Perspectives on Degas, London, Routledge/Ashgate, 2016

'Taking Shape: Monet's Compositional Techniques', in George Shackelford (ed.), Monet: The Early Years, Fort Worth, Texas, Kimbell Art Museum, 2016

‘Impressionism and the Origins of Plein Air Oil Painting’, in Junko Ninagawa (ed.), The Impulse for Oil Painting, Osaka, 2015 (in Japanese)

‘The Matter of Painting : La Matière de la peinture’, in: Histoire de l'art du XIXe siècle (1848-1914): bilans et perspectives, Actes des Colloques, Paris, Musée d’Orsay, 2011

2010 - 'Hors d'oeuvre: Edges, boundaries and marginality with particular reference to Seurat's early drawings', in Paul Smith (ed.), Seurat Re-viewed, Penn State Press

2008 - 'Man or machine: Ideals of the labouring male body and the aesthetics of industrial production in early twentieth-century Europe’, in Fae Brauer and Anthea Callen (eds.), Art, Sex and Eugenics: Corpus Delecti, Ashgate Publishing Group, Aldershot & London, 2008

2006 - ‘L’Art, l’anatomie et la construction du corps idéal masculin’, in Gilles Boëtsch, Nicole Chapuis-Lucciani and Dominique Chevé (eds.), Représentations de corps : Le biologique et le vécu, normes et normalité, Presses Universitaires de Nancy, Nancy, pp.113-124.

2003 - ‘De kleur van het impressiomisme [The colour of Impressionism]’, in Miracle de la Couleur: impressionisme en post-Impressionisme, Kunsthal, Rotterdam, pp.57-80.

2002 - 'Ideal Masculinities: The Case of Albinus', in N Mirzoeff (ed.), The Visual Culture Reader (revised edition), Routledge, London and New York

2002 - ‘Maskulina ideal om maktens anatomi’, in Anna Lena Lindberg (ed.), Den maskulina mystiken, Lund, Sweden, pp.33-51

2000 - 'Technique and Gender: Landscape, Ideology and the Art of Monet's Series Paintings', in Anna Gruetzner Robins and Steven Adams (eds.), Gendering Landscape Art, Manchester University Press, pp.26-44

1998 - 'Ideal Masculinities: The Case of Albinus', in N Mirzoeff (ed.), The Visual Culture Reader, London and New York, Routledge, pp.401-414

1994 - 'Renoir: The Matter of Gender', in J. House (ed.), Renoir, Master Impressionist, exhibition catalogue, Queensland Art Gallery, pp.40-51

1994 - 'Sexual Division of Labour in the Arts and Crafts Movement', in P. Kirkham and J. Attfield (eds.), A View from the Interior: Feminism, Women and Design, The Women's Press, (1989), pp.151-164

1994 - 'Afterword', in Feminist Subjects, Multi-Media: New Approaches to Criticism and Creativity, eds. D. Reynolds and P. Florence, Manchester and New York, Manchester University Press, pp.197-201

1993 - 'Anatomy and Physiognomy: Degas's "Little Dancer of 14 Years"', in L'Ame au corps: arts et sciences 1793-1993, Paris, Réunion des Musées Nationaux, Gallimard/Electra, 360-373